A search for quotes about “lead and follow” provides many references to leadership friendship, and other relationships. Although they are very applicable, Lead and Follow is also about ballroom dance.
When starting to learn ballroom dance, the focus is on hold and basic feet movements. At that stage, Lead and Follow is more like memorizing: Lead does this, then the follower does that. More steps means more memorizing. However, in time, Lead and Follow becomes very important – and it’s not easy. So what is Lead and Follow?
Lead and Follow is the essence of social ballroom dance, which is not choreographed. Lead and Follow is an interaction between two people that allows them to synchronize motions to compliment each other and the music. Lead and Follow is about dancing together and enjoying each other with the Lead being responsible for initiating steps and patterns while navigating the floor and planning ahead while the Follower interprets and executes the signals from the Lead.
Given a variety of skill levels present in a social ballroom dance setting, it is paramount the Lead recognizes their partner’s ability level and leads within that level. I frequently see the following at social dance: A lead is given, but the follower didn’t respond with the expected step. The Lead then goes into instructional mode of “When I do this, you do that.” That is not Lead and Follow! Yes, some of their problems may be due to skill level differences, but most is due to the lack of connection between the dancers; therefore poor directions delivers poor results.
I still recall one particular lesson we had with an instructor who wasn’t our regular one. (It probably was within the first or second year of our lessons). Her points were simple: Leads should be subtle, but clear; Followers needs to tune in to detect the subtle signal, and then respond accordingly. Both leading and following are difficult skills, but can come with experience.
Lead and Follow requires a connection between the partners because that connection is the communication line transmitting signals through a strong frame. With the goal of moving together as one, signals travel through any of the following (or combination of): whole body, core, shoulders, hips, back, elbows, arms, hands, legs, and feet, plus extensions and compressions.
For me, my dance frame has been strong for much of my dance journey. Therefore, I notice when my partner’s frame is weak – which makes communication difficult. No wonder dancers struggle when both frames are weak because the communication line is (at best) on life support. I also know why ladies with good frames who struggle when they dance with men with poor frames.
Developing clear and subtle leads is a never-ending journey – and I admit that I haven’t always been subtle. Even though my frame, connection, and subtlety have improved with time, there is still plenty of room for improvement.
Yet, I now know that Lead and Follow is more like a series of act-and-react actions. After all, what if my partner does something different from I anticipated? It could mean my lead wasn’t clear – but it also means I have to react by keeping the time and adjusting my next movement while disbanding my anticipated plan – and then my partner must react to my adjusted signal – and then it’s back to me. This act-react cycle is ongoing throughout the entire dance until the music stops.
When things get out of whack, I admit to enjoying the maddening flurry of steps with a skilled partner to get us back in sync. Fortunately, I possess an ability to do that much of the time – although I may never duplicate the series again because I don’t know what I did. On the other hand, I also enjoy leading a less-experienced dancer to do steps they didn’t know.
There are numerous analogies for Lead and Follow. Lead is speaking while Follow is listening. Lead is communication while Follow is translating. Lead is the driver while Follow is the passenger. Lead is the offense while Follow is the patient defense. I’m sure there are more, but hopefully these analogies make sense.
No matter the ability, Lead and Follow is about the connection between the partners on two levels: with each other and with the music. My favorite dance partners are the ones with good frames that serve as the foundation of a good connection and they know how to follow.
On the other hand, two people who have never danced together can have a magical first dance – a dance that is socially flawless – well, as long as they have a strong connection with each other.
Recently, I have had some remarkable dancing with people I’ve never danced with before. The reasons are simple – a strong connection between two people, the ability to read each other, and comparable skills levels. For me, those times are euphoric – and at the end of the dance, two people can smile, look into each others eyes with amazement and appreciation, and thank each other for a wonderful dance.
Enjoy this video. Although this couple practiced this routine, the majority of the steps/patterns in their routine can be done with Lead and Follow in a social ballroom dance setting – well, assuming the dancers know the dance – in this case, Bolero.