On the Answer

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Note: As another feeble attempt into the world of fiction, I didn’t establish a word limit on myself this time. Because I embedded music into the story, listening to at least part of the song (30 seconds) helps set the tone. I will appreciate your comments about the story.

On the Answer

 

The large wooden floor and good music makes it a popular place for ballroom dancers. He and she are relatively newcomers to this venue – but this is their first special-event night – a charity ball. Each are acquainted with a few other people from previous visits, but not with each other. This night is their first sighting.

He finds her alluring – but their eyes never meet. He is a bit intimidated by her dancing ability. She watches him thinking he’s handsome and can dance – yet their eyes never connect.

He wants to ask her, but is hesitant. She waits – yet is anxious..

They sit on opposite sides of the hall – but never know the other’s interest. Their dance partners are from what seems to be a partitioned sector.

A waltz ends – they are unknowing close enough to bump into each other as they start to leave the floor causing their eyes to connect for the first time. Neither knows the other’s thoughts.

A Cha-Cha begins. Their previous partners know one another and pair to dance. He and she are left looking at each other. He asks. She smiles and accepts.

 

Cha Cha music is upbeat and rhythmic. The dance is fun, spirited, and playful – some say flirtatious.

He cautiously engages her. He starts with basic steps so they get comfortable with each other. She compliments his leads. He accepts through a smile and returns kind words; although her ability and confidence are obvious.

The music continues and the steps greatly vary as they both smile and occasionally talk while having a good time – actually a great first dance. The song ends. Smiles of approval and appreciation evident. The next song quickly begins.

 

He extends his hand to say, “Rumba?” She again accepts with a smile and without saying a word. Rumba – its slow, steady Latin beat that some say is the dance of love. To others, it’s the dance of foreplay.

Whatever he leads – she follows without hesitation. Again she compliments him. He smiles and tells her that she makes dancing easy to lead – but he is taken by her white dress that displays her form, her beauty, and her motions.

The song ends. He mentions they are two strangers dancing as one. She philosophically responds, “That’s a power of dance.” – then a different song starts.

 

A Bolero – the dance of love – a dance that they each adore – something the other doesn’t know. The music acts like a strong magnetic bringing their brown and blue eyes together. Without words, they stay on the floor.

Bolero music is slightly slower than Rumba. They are close – thighs touch – frames engage. Bolero is slinky – together, apart, back together – low then high, back to low. He offers a steadiness that she appreciates. She acts as his dance muse as he leads steps he’s never done before – yet she follows with elegance. Still no words – just dance.

She speaks to him with alluring eyes, flowing arms, and a curvaceous figure. He remains outwardly calm. Inwardly he concentrates on the dance because he doesn’t want to make a mistake – but she also has his attention. She is taken by his confidence and continues to silently speak. Once again, they dance as they were one.

The music ends. They stare, smile, and say thank you. He walks her back to her table where she invites him to sit. They continue to connect through conversation and more dances.

When they recount that night, common elements exist in their versions – yet each has their own perspective. She still boasts about his leads and handsomeness; he still finds that difficult to accept because of his ordinariness.

He still talks about the beauty behind her captivating ways; she graciously turns the compliments toward him. He recalls the white dress; she jokes about him remembering the dress while knowing it is safely stored as a keepsake. Yet, this story still remains the answer to the question that friends ask, “How did the two of you meet?”

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On an Unexpected Connection

Saturday is Dance Day and Down Syndrome Day – thus the perfect opportunity for a post about special people. After all, I imagine many may not see a link between ballroom dance and Down Syndrome.

I volunteer at a weekly dance event that is not only fun, but one with ample opportunities for smiles because it is for adults with Down Syndrome. Some of the attendees are functional enough to have a job, but others aren’t. Some a more coordinated and able to move better freely, but others physically struggle. Toss in a wide range of speaking abilities, it’s quite a gathering of about 30 attendees and numerous volunteers.

My smiles come from an action or something said. From a person running up to me for a dance to receiving a smile given by someone who has difficulty speaking. Simply put, the 45-minute session is a weekly delight in my life.

However, these events are not about the volunteers, but about the attendees. First of all, it’s a social event. They arrive with smiles and race to greet their friends they haven’t seen in a week. That is followed by the power of music and dance as it speaks to them just as it does to the rest of us.

Each week is the same. The 45-minute session starts and ends with the same song – the group’s theme song – a version of Over the Rainbow to which everyone dance a group routine. After a line dance or two, the instructor reviews the dance, and then a song plays for dancing. Another song for the same dance is the sign to change partners. The pattern stays the same through Rumba, Salsa, Waltz, Foxtrot, Cha Cha, Tango, and Merengue – with the latter quickly morphing into a predictable conga line. After another line dance or two, the session ends with the same theme song that started it all.

I want to toast several of the attendees for the joys they give me.

  • To T, one of the better dancers, and one with an infectious smile and positive attitude
  • To K, whose quiet nature always answers question and giggles
  • To S, who is always smiling and laughing as she thinks I’m a bit crazy
  • To C, who best communicates to me through her eyes and smiles that make me melt on the spot
  • To J, who runs to me with a smile for a salsa or cha cha
  • To R, who insists on being a lady
  • To Teddy, one that I’ve written about here before, whose positive attitude about life is a role model for anyone
  • To the parents and caregivers for being supportive
  • To Mary, our leader (the blonde in the opening video), and the one who has made this happen

I close with a collection of clips for the competition held last October for these wonderful people. (Because you want to know, I’m in Foxtrot, Swing & Tango sections with contestants 35 & 54 – but I think that’s me in the center of the still)

Other Related Past Posts

On Cha Cha (Cha)


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Known as cha-cha-cha, or simply cha-cha

Dance of Cuban origin

Derived from Mambo

Energetic, fast, sharp dance with a steady beat

Music is in 4/4 time, thus providing a rhythm to split the fourth beat

Some count one, two, three, cha-cha-cha, two, three, cha-cha-cha

Others count one, two, three, cha-cha, one, two, three, cha-cha

In the basic pattern, the cha-cha-cha steps are side-together side, while the one to three are forward, back, together (or back, forward, together)

Here’s a chance to learn the basic step

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Styles of differ from place to place

In competitive ballroom, there are American style and International style (which have more similarities than differences)

Introduced to the US in 1954, and it was the dance craze by 1959

Hip action called Cuban motion

Cuban motion is a result of bending and straightening the legs, plus shifting the weight

Enjoy this slow competitive Cha-Cha

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One of the most dominant pop rhythms in the past 50 years

Listen to the music the basic pattern of the feet

Enjoy the group routine to Ola Chica (one of my favorites)